Home » Stewart Headlams Radical Anglicanism: The Mass, the Masses, and the Music Hall by John Richard Orens
Stewart Headlams Radical Anglicanism: The Mass, the Masses, and the Music Hall John Richard Orens

Stewart Headlams Radical Anglicanism: The Mass, the Masses, and the Music Hall

John Richard Orens

Published August 22nd 2003
ISBN :
Kindle Edition
196 pages
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 About the Book 

Standing in stark contrast to the conservative churchmen of Victorian Britain, the Anglican clergyman Stewart Headlam was a passionately progressive reformer, a champion of the working poor--especially women --a defender of the music hall performersMoreStanding in stark contrast to the conservative churchmen of Victorian Britain, the Anglican clergyman Stewart Headlam was a passionately progressive reformer, a champion of the working poor--especially women --a defender of the music hall performers his colleagues attacked as licentious, and, in short, a man of God who remained firmly and controversially engaged with the society in which he lived and worked._x000B_This book, the first significant study of Headlam since 1928, paints a rich and complex picture of this larger-than-life man of the cloth, charting the trail he blazed across the social, political, and religious landscape of late nineteenth- and early twentieth-century Britain._x000B_Dissatisfied from an early age with his familys Evangelical faith, Headlam became an Anglican curate, but his political views were increasingly radicalized as he befriended working-class atheists and trade union leaders. John Richard Orens details Headlams repeated conflicts with the establishment figures of his faith over his defense of music hall ballet performers right to reveal their legs, his role in the early years of the Fabian Society, his anti-puritanism, and his passionate socialism. Headlam was even instrumental in having Oscar Wilde bailed out of prison following the writers arrest for homosexual offenses.?_x000B_With this intellectual biography, Orens places Headlams life, beliefs, and actions in the context of the period, contributing to the ongoing debate about the proper relationship between Christianity, on the one hand, and society, sexuality, and the arts, on the other.